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Marjetica Potrč
Marjetica Potrč (pronounced (:maˈrjetitsa pɔˈtr̩tʃ); born 1953) is an artist and architect based in Ljubljana, Slovenia. Potrč's interdisciplinary practice includes on-site projects, research, architectural case studies, and series of drawings. Her work documents and interprets contemporary architectural practices (in particular, with regard to energy infrastructure and water use) and the ways people live together.
==Background and early career==
Potrč was born in Ljubljana, capital of the Socialist Republic of Slovenia, which was then part of the Socialist Federal Republic of Yugoslavia. Her parents were both writers. Potrč's father, Ivan Potrč, was a well-known Slovene social realist novelist and playwright from Lower Styria, and the main editor of the publishing house ''Mladinska Knjiga''. Her mother, Branka Jurca, was a teacher and magazine editor and also a famous author of children's literature, who was born in the Kras region of western Slovenia but moved to Maribor, where she met Marjetica's father.
Marjetica Potrč received degrees in architecture (1978) and sculpture (1986, 1988) from the University of Ljubljana. In 1990, she moved to the USA. Her installations from this period often involved walls of various kinds, e.g. ''Two Faces of Utopia'' (1993, made for the Slovene Pavilion at the Venice Biennial), and the series ''Theatrum Mundi: Territories'' (1993–1996). A statement she made at the time - "I don't make objects. I build walls" - positions her work against object-based sculpture.〔Discussed in Goran Tomčić, "The Sheltering Connection," in Lívia Páldi, ed., ''Next Stop, Kiosk'' (Ljubljana: Moderna galerija, 2003), 15-16〕 In 1994, she moved back to Ljubljana. Since then, Potrč's work has developed at the intersection of visual art, architecture, and social science.
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